Dating coro jewelry

24-Nov-2019 15:18

Jewelry by this company is hard to find let alone little is know of the company and it is surmised that the company went out of business in the 1940s.

The jewelry pieces were marked: "Accessocraft", "Plastigold" in September 1940, and "Feathergold" since Aug.

The pin is considered to be of the Edwardian era (English kings named Edward) and designed for the very elite. The jewelry has been classified good quality with unusual gothic designs and was highly popular in the 1960s having had the Art Deco decorative look of the 1920s and 1930s Many items had a style typical of the Renaissance, Victorian, Art Nouveau, and Rococo ornamentation.

One item produced was a cameo pin believed to have been carved out of sardonyx/carnelian with yellow gold metal accented with an applied granular texture on the leaves (variegated with yellow, rose, and green gold filling) on each side of the cameo. The Accessocraft Products Company, NY, was founded by Edgar Rodelheimer and Theodore Steinman, and opened in 1930.

Most significantly for me, fashion history tells the story of women’s role in society at a particular time.

And each style of jewelry has a role to play in that story. In both countries, the types of clothing that could be produced were limited.

The colors were powder blue, light pink, olive or light green, and black all during the nineteenth century.

Wedgewood died in 1795 but left a legacy that few will ever accomplish.

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They were produced by the American costume jewelry manufacturer Coro in Providence, Rhode Island. Fashion reflected the shortage of fabric and labor due to the requirements of the war effort. The number of pockets, types of trims, circumferences of sleeves and hems, and other details pertaining to how a garment was made were also restricted.Founded in 1949 by Charles Stuart, who named his costume-jewelry company after his granddaughter, Sarah Coventry did not follow the Coro, Trifari, or Miriam Haskell practice of producing the work of a strong in-house designer.Instead, Stuart purchased designs from freelancers, then hired firms such as De Lizza and Elster, whose house brand was Juliana, to create its chokers, necklaces, brooches, earrings, and bracelets.I have something to confess: I never liked studying history in school. We had to memorize the dates when popes and monarchs reigned, presidents and prime ministers served in office, significant battles were fought in major wars, and so forth.We never learned about what life was like for the people living then. So, when I started to study jewelry history, I began to learn about the clothing the jewels adorned.

They were produced by the American costume jewelry manufacturer Coro in Providence, Rhode Island. Fashion reflected the shortage of fabric and labor due to the requirements of the war effort. The number of pockets, types of trims, circumferences of sleeves and hems, and other details pertaining to how a garment was made were also restricted.Founded in 1949 by Charles Stuart, who named his costume-jewelry company after his granddaughter, Sarah Coventry did not follow the Coro, Trifari, or Miriam Haskell practice of producing the work of a strong in-house designer.Instead, Stuart purchased designs from freelancers, then hired firms such as De Lizza and Elster, whose house brand was Juliana, to create its chokers, necklaces, brooches, earrings, and bracelets.I have something to confess: I never liked studying history in school. We had to memorize the dates when popes and monarchs reigned, presidents and prime ministers served in office, significant battles were fought in major wars, and so forth.We never learned about what life was like for the people living then. So, when I started to study jewelry history, I began to learn about the clothing the jewels adorned.This last company allowed her to put her label on her accessory designs of jewelry, perfume and lingerie.